Jean - Claude Risset
نویسنده
چکیده
One of my early desires as a musician was to sculpt and organize directly the sound material, so as to extend compositional control to the sonic level to compose the sound itself, instead of merely composing with sounds. My use of the computer has focused mostly on this goal. I have been able to fullfill this desire to some extent by resorting to digital synthesis and also digital processing of sound. As I shall explain, I had to perform exploration and research to use the computer musically.
منابع مشابه
Auditory Illusion and Violin: Demonstration of a Work by Jean-Claude Risset written for Mari Kimura
This is a description of a demonstration, regarding the use of auditory illusions and psycho-acoustic phenomenon used in the interactive work of Jean-Claude Risset, written for violinist Mari Kimura.
متن کاملFifty Years of Digital Sound for Music
Fifty years ago, Max Mathews opened new territories for music as he implemented the first digital synthesis and the first digital recording of sound. This presentation illustrates some specific problems and possibilities of computer music, focusing on the perception of musical sound and reflecting the points of view of the author.
متن کاملExamples of the musical use of digital audio effects
This tutorial gives examples of the musical use of digital audio effects, drawn mostly from my computer music pieces Sud and Invisible. Rather than on the technical implementation, the emphasis will be placed upon the musical purpose of the effects, called for in order to simulate large spaces and illusory source movements; to create transposed echoes or choruses; to stretch words and sentences...
متن کاملFor Jean-Claude: [re]Presenting Duet for One Pianist
In 1989, composer and researcher Jean-Claude Risset's series of interactive sketches for piano and Disklavier entitled Duet for One Pianist explored the performative possibilities made available to pianists through the augmentation of emotive human musical gesture with the precise reactive and computational capabilities afforded by computer-based musical systems. As computer and musical softwar...
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